Novinky
cine4net, Ltd. goes RED
The RED ONE redefined digital cinema upon its arrival, democratizing 4.5K capture and challenging the status quo. Utilizing an S35mm image plane, the RED ONE displays a natural depth of field from 2K to 4.5K resolutions and seizes every moment with the ability to capture anywhere from 1-120 fps onto high-speed RED CF or REDMAG SSD media. Interchangeable lens mounts and free firmware updates keep the RED ONE versatile.
A robust 4.5K sensor with over 13 stops of dynamic range has distinguished the RED ONE as an ideal counterpart to 35mm film. With over 5x the detail of HD, the RED ONE has antiquated what was once cutting-edge, setting technical benchmarks and establishing new standards in digital cinema. High-resolution RAW files provide editors, colorists, and VFX artists with a large, flexible palette – making it easier to composite, grade, and finish for theatrical distribution. Seamless scaleability allows the RED ONE to transition into HD, 2K, or 4.5K workflows without ever losing its initial quality.
Since its arrival, the RED ONE has established a pedigree of Oscar winning films, 3D features, and even magazine covers that have solidified its reputation as a reliable workhorse. Introduced as the purest digital alternative to 35mm film, the RED ONE has shot some of the most influential films of our time - from “Che” to “The Social Network”. Its ability to sustain brilliant 4.5K images in even the toughest environments has contributed to its enduring success as one of the greatest digital cinema cameras of all time.
A robust 4.5K sensor with over 13 stops of dynamic range has distinguished the RED ONE as an ideal counterpart to 35mm film. With over 5x the detail of HD, the RED ONE has antiquated what was once cutting-edge, setting technical benchmarks and establishing new standards in digital cinema. High-resolution RAW files provide editors, colorists, and VFX artists with a large, flexible palette – making it easier to composite, grade, and finish for theatrical distribution. Seamless scaleability allows the RED ONE to transition into HD, 2K, or 4.5K workflows without ever losing its initial quality.
Since its arrival, the RED ONE has established a pedigree of Oscar winning films, 3D features, and even magazine covers that have solidified its reputation as a reliable workhorse. Introduced as the purest digital alternative to 35mm film, the RED ONE has shot some of the most influential films of our time - from “Che” to “The Social Network”. Its ability to sustain brilliant 4.5K images in even the toughest environments has contributed to its enduring success as one of the greatest digital cinema cameras of all time.
Datum6.leden 2013
